Sarah uses clay to generate abstract, mixed media, colour compositions which create interplay between two and three dimensions whilst seeking to evoke a fourth. She describes these compositions as abstract ceramic paintings in sculptural form, or ‘objects as paintings’ and ‘paintings as objects.’

Defnyddia Sarah glai i eneradu cyfansoddiadau lliw abstract, aml gyfrwng sydd yn creu rhyngchwarae rhwng dau a tri dimensiwn wrth chwilio am bedwerydd. Disgri a hi’r cyfansoddiadau yma fel peintiadau abstract serameg mewn urf ger uniol, neu ‘gwrthrychau fel peintiadau’ a ‘peintiadau fel gwrthrychau’.